Another long break from blogging - it got boring for a few weeks so I took up some new hobbies. I've recently taken up brewing my own home made hard apple cider and this week I plan on moving along to trying a brew of beer. I've also been shooting a lot of 35mm lately which you can check out on my PhotoBlog which I seem to update even less than this one.

It's been a high of 20 degrees the last few weeks here so there hasn't been much filming done, other than with die-hard Jimmy Lake, so be sure to keep an eye out for his name in some upcoming videos out of Boston.

But back to the countdown!

Today's entry is Heath Kirchart from Transworld's Sight Unseen video. This is video was so gnarly when it first came out that it would make me try to kickflip as high as I possibly could on my rugged floor in my bedroom as a little grommit. It was an overall great video - one of Transworld's best, but what really made it stand out so well was the last part.

Heath Kirchart kills it - he always has and always will. It's put best by Berra I believe in Anthology, maybe its Reynolds, but he's strictly business. It shows with his temper, as well as with his tallent. This dude goes so big it's insane. I feel like a few tricks in here could have easily taken his life if he didn't have that tight-rope balance. Also, remember how they just threw that backside-noseblunt down the square handrai in the middle of his part? NO BIG DEAL.

I believe t his actually won best part of the year when Sight Unseen came out. The filming was amazing for this time, when people really began to experiment and tweak the colors on the VX-1000's. Really solid filming, as well as editing makes each trick of his as legitimate as they would be in real life. You've also got to love Transworld's night filming - their notorious for it. All this to a Moody Blues song, as well as tailslides down 16+stair, curved handrails makes this a legendary part. Number 27 on my top 30 favorite parts ever, Heath Kirchart: